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1750-1788
Carlo Bonavia painted the soft, luminous landscapes that became souvenirs of the Grand Tour, capturing imaginary vistas of the Neapolitan countryside in pale blues, creams, and gentle greens. Active from around 1740, he spent most of his career in Naples after 1751, grounded in the local landscape tradition but profoundly shaped by Claude Joseph Vernet's atmospheric approach. Rather than analytical topography, Bonavia created rococo capricci—fantastical compositions that married real features with invented settings. His idyllic scenes found eager patrons among Grand Tourists including Lord Brudenell and the Austrian ambassador Count Karl Joseph Firmian. Bonavia died in Naples in 1788, leaving a body of paintings, engravings and drawings that secured his reputation as a skilled painter of views and historical subjects, praised by contemporary critics and now held in major collections from San Francisco to St. Petersburg.
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