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1856-1925
John Singer Sargent dominated portraiture in the Belle Époque and Edwardian eras, becoming the defining society painter of his generation. Born in Florence to American parents in 1856, he trained in Paris under Carolus-Duran and absorbed the technique of Velázquez—working directly on canvas with loaded brushstrokes, prioritizing tonal placement over careful underpainting. His meteoric rise brought commissions across Europe, though the 1884 Salon scandal surrounding his Portrait of Madame X drove him to London, where his career flourished regardless. Sargent's prolific output—roughly 900 oils and over 2,000 watercolors—documents his travels from Venice to Spain, the Middle East, and America. His brushwork combined technical virtuosity with psychological insight, though later critics questioned its depth. In his final decades, he turned increasingly to murals and landscape work painted en plein air, revealing a familiarity with Impressionism that his formal commissions had long concealed.
