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1824-1898
Pierre Puvis de Chavannes (1824–1898) came to define French monumental painting in the Third Republic. Born in Lyon to a mining engineer's family, he turned to art after illness interrupted his engineering studies, studying briefly under Delacroix before finding his distinctive voice under Thomas Couture. Though his Salon debut in 1850 met rejection for eight years, he secured major public commissions during Napoleon III's rebuilding of Paris and never looked back. He filled walls across France—at the Panthéon, the Sorbonne, the Hôtel de Ville—with vast decorative cycles inspired by Italian fresco technique, deploying muted colours, flattened space, and classical subjects to create dreamlike, poetic atmospheres. His work stood apart from realism, Impressionism, and academicism alike, earning him recognition as a forerunner of Symbolism. Picasso and generations of avant-garde artists visited his studio; Japanese painters studying in Paris made pilgrimages there. He co-founded the Société Nationale des Beaux-Arts and received the Legion of Honour.
